MARC Record
Leader
    
        
          001
        
        
          22792
        
      
    
        
          008
        
        
          240201s2024    |||||||| |||| 00| 0 eng d
        
      
    
        
          041
        
        
                    
        
                    
      
      
        a| por
      
    
        
          044
        
        
                    
        
                    
      
      
        a| BR
      
    
        
          100
        
        
                    
        
                    
      
      
        a| Dantas, Paulo
        1| https://orcid.org/0009-0008-3627-5045
        4| prf
        9| 26637
      
    
        
          245
        
        
                    
        
                    
      
      
        a| Tokyo shitamachi: Tatekawa
      
    
        
          260
        
        
                    
        
                    
      
      
        c| 2025
      
    
        
          336
        
        
                    
        
                    
      
      
        a| Artefact
      
    
        
          366
        
        
                    
        
                    
      
      
        b| 2025-01-10
      
    
        
          506
        
        
                    
        
                    
      
      
        a| open
      
    
        
          509
        
        
                    
        
                    
      
      
        a| FRIS
      
    
        
          520
        
        
                    
        
                    
      
      
        a| A simple composition using underwater stereo recordings from the Tatekawa, a river flowing into Tokyo’s Sumida River. Originally created for Mieko Matsumoto’s video in the Breathing Particles exhibition at TOKAS Hongo Gallery, Tokyo (July–August 2024). Above the river lies the Shuto Expressway, an elevated highway built for “practicality,” accelerating the river’s original transportation functions. From within the Tatekawa, the expressway’s intense activity and maintenance work are audible. On quieter days, with the use of filters, some species adapting to these changes can still be heard. These recordings layer different times and speeds in the urban “now”: the natural rivers, now channeled, and their modern counterparts—the expressways immortalized by Tarkovsky and Oshii. Distant sine wave allusions to Hana, a Western-style song by Rentaro Taki, emerge, as if engulfing the Tatekawa’s sounds.
      
    
        
          591
        
        
                    
        
                    
      
      
        a| 1
      
    
        
          610
        
        
                    
        
      
          0        
      
        a| Music, Thought and Technology
        9| 26934
      
    
        
          856
        
        
                    
        
                    
      
      
        3| Universal Resource Locator
        u| revistas.ufrj.br/index.php/ae/article/view/66564
      
    
        
          942
        
        
                    
        
                    
      
      
        c| NWO
      
    
        
          920
        
        
                    
        
                    
      
      
        a| NWO
      
    
        
          999
        
        
                    
        
                    
      
      
        d| 22792