MARC Record
Leader
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240201s2024 |||||||| |||| 00| 0 eng d
041
a| eng
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a| BE
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a| Beghin, Tom
1| http://www.wikidata.org/entity/Q93244160
1| https://orcid.org/0000-0001-7919-8985
4| prf
9| 17739
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a| Afterwork Concert No. 3, “Mit veränderten Reprisen”
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c| 2024
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a| Event
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b| 2024-02-07
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a| Abstract:Performing on clavichord and fortepiano, Tom Beghin explores a once lively practice of varying repeats through two sets of keyboard sonatas—for a total of twelve, to be digested in groups of three: CPE Bach’s Sechs Sonaten mit veränderten Reprisen, Wq 50 (1760) and Mozart’s six “Munich” Sonatas K 279–285 (1774–75).
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a| open
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a| FRIS
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a| Koetshuis, Orpheus InstituutProgram:Mozart, Sonata in E-flat Major, K 282C. P. E. Bach, Sonata in D Minor, Wq 50/4Mozart, Sonata in G Major, K 283On clavichord (replica Saxon-style, ca. 1760) and fortepiano (replica Stein, 1788)
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a| 0
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a| Declassifying the Classics: Rhetoric, Technology, and Performance, 1750-1850
9| 26931
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3| Universal Resource Locator
u| https://orpheusinstituut.be/en/news-and-events/afterwork-concerts-declassifying-the-classics/
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c| NWO
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a| NWO
999
d| 22746