MARC Record
Leader
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22745
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240201s2024 |||||||| |||| 00| 0 eng d
024
a| EPRC 0066
041
a| eng
044
a| BE
100
a| Beghin, Tom
1| http://www.wikidata.org/entity/Q93244160
1| https://orcid.org/0000-0001-7919-8985
4| prf
9| 17739
245
a| C. P. E. Bach: Sonatas with Varied Reprises, Wq 50
260
b| Evil Penguin Classic
c| 2024
336
a| Digital
366
b| 2024-10-25
500
a| Abstract:Carl Philipp Emanuel Bach’s Sonatas with Varied Reprises (published in Berlin, 1760) constituted a bold experiment. Spelling out every repeat, Bach applies to each the art of variation. Starting off as a service (“play this and you’ll sound as if you’re improvising”), the opus ends up a masterclass in variation. Tom Beghin, playing his own beloved clavichord, enacts the role of the keyboardist-composer who repeats himself, while never saying the same thing twice.
506
a| open
509
a| FRIS
520
a| Recorded April 2–4, 2024, at Motormusic (Mechelen, Belgium)Sound recording: Steven Maes, with George Georgiev and Lowie PeetersArtistic supervision: Luca MontebugnoliClavichord preparation and tuning: Joris PotvliegheSound editing: Tom BeghinSound mixing and mastering: Steven MaesResearch assistance: Anastasios ZafeiropoulosFeatured and reviewed at:The Ultimate Classical Music Guide, by Dave Hurwitz, You Tube (Dec. 8, 2024) Awards:Gramophone Editor’s Choice (November 2025)Longlist Preis der deutschen Schallplattenkritik (February 2025)
591
a| 0
610
0
a| Declassifying the Classics: Rhetoric, Technology, and Performance, 1750-1850
9| 26931
856
3| Universal Resource Locator
u| https://www.challengerecords.com/products/17206210589249/sonatas-with-varied-reprises-wq-50
942
c| NWO
920
a| NWO
999
d| 22745