a| eng

a| Beghin, Tom 1| https://orcid.org/0000-0001-7919-8985 4| edt 9| 17739

a| The Lure of Paris, 1795-1810. b| Keyboard Perspectives Vol. XIII (2021)

b| Westfield Center c| 2022

a| 272 pages

a| Keyboard Perspectives. Yearbook of the Westfield Center for Historical Keyboard Studies v| 13

g| Tilman Skowroneck, Preparing for Paris: Beethoven and French Musicianship. Erin Helyard, Muzio Clementi: The Father (Also) of French Pianism.Tom Beghin, The Paris Conservatoire: An Institution with Ambition.Michael Pecak, Frédéric Kalkbrenner as an Alumnus of the Paris Conservatoire. Jeanne Roudet, Reconciling Innovative Pedagogy with Musical Heritage: The Méthode de piano du Conservatoire of Louis Adam. Luca Montebugnoli, “On the Art of Accompanying the Score”: Louis Adam’s Instructions for Arranging Orchestral Music on the Piano.Charles Shrader, Daniel Steibelt, Charlatanry, and the Technaesthetics of bon son.Robin Blanton, Perfection’s Purchase: Erard Frères Grand Pianos in Paris Society around 1800. Hester Bell Jordan, Mesdemoiselles Erard: Gender, Music Publishing, and Self-Dedication in Nineteenth-Century Paris. Frédéric de La Grandville, The State of Piano Instruction at the Paris Conservatoire around 1810: An Inspector’s Report. Eleanor Smith, Book Review: Invention, Design, Fraternity: Three Books Furthering Knowledge of the French Piano Builder Sébastien Erard. Camilla Köhnken, Exhibition Review: “Beethoven. World.Citizen.Music” (Bundeskunsthalle Bonn) and “Hotel Beethoven” (Bozar Brussels): Two Anniversary Exhibitions Braving the Corona Year of 2020 and Other Calamities.

a| 18th Century (1701-1800) 1| http://www.wikidata.org/entity/Q7015 9| 20899

a| 19th Century (1801-1900) 1| http://www.wikidata.org/entity/Q6955 9| 20935

a| Keyboard music 1| http://www.wikidata.org/entity/Q105715630 9| 21412

a| Keyboard instrument 1| http://www.wikidata.org/entity/Q52954 9| 2849

a| Paris (France) 1| http://www.wikidata.org/entity/Q90 9| 160

c| BOO

a| boek

b| ORPH c| ORPH j| ORPH.INS PER3 KP

d| 22342