MARC Record

Leader
001 22006
008 240201s2023 |||||||| |||| 00| 0 eng d
041
  
  
a| dut
044
  
  
a| BE
046
  
  
k| 2023-11-15
100
  
  
a| Beghin, Tom 1| https://orcid.org/0000-0001-7919-8985 4| prf 9| 17739
245
  
  
a| Mit veränderten Reprisen I
260
  
  
a| Ghent, Belgium b| Orpheus Institute c| 2023
336
  
  
a| Artefact
366
  
  
b| 2023-11-15
500
  
  
a| Performing on clavichord and fortepiano, Tom Beghin explores a once lively practice of varying repeats through two sets of keyboard sonatas—for a total of twelve, to be digested in groups of three: CPE Bach’s Sechs Sonaten mit veränderten Reprisen, Wq 50 (1760) and Mozart’s six “Munich” Sonatas K 279–285 (1774–75). Sonatas by C. P. E. Bach (Wq. 50, 1 and 3) and W. A. Mozart (K. 279).
506
  
  
a| open
509
  
  
a| FRIS
520
  
  
a| Tom Beghin (clavichord and fortepiano); Afterwork Concert no. II (November 15, 2023)
591
  
  
a| Editorial review
610
  
0
a| Declassifying the Classics: Rhetoric, Technology, and Performance, 1750-1850 9| 26931
773
  
  
t| Afterwork Concerts by Declassifying the Classics 2023-2024
856
  
  
3| Universal Resource Locator u| https://orpheusinstituut.be/en/news-and-events/afterwork-concerts-declassifying-the-classics
942
  
  
c| NWO
920
  
  
a| NWO
999
  
  
d| 22006