MARC Record
Leader
    
        
          001
        
        
          21929
        
      
    
        
          008
        
        
          240129s2023    |||||||| |||| 00| 0 eng d
        
      
    
        
          041
        
        
                    
        
                    
      
      
        a| eng
      
    
        
          100
        
        
                    
        
                    
      
      
        a| Fusi, Marco
        1| https://orcid.org/0009-0000-8946-5178
        1| http://www.wikidata.org/entity/Q84819313
        4| First Author
        9| 23809
      
    
        
          245
        
        
                    
        
                    
      
      
        a| A Fragility, which Connects: Music as a Social Encounter
      
    
        
          336
        
        
                    
        
                    
      
      
        a| Journal Article
      
    
        
          366
        
        
                    
        
                    
      
      
        b| 2023-12-01
      
    
        
          506
        
        
                    
        
                    
      
      
        a| open
      
    
        
          509
        
        
                    
        
                    
      
      
        a| FRIS
      
    
        
          520
        
        
                    
        
                    
      
      
        a| The following is a discussion between Charlie Sdraulig, Marco Fusi, Winnie Huang, and Gwen Rouger made during April of 2023. Charlie Sdraulig’s work one to one is an intimately staged sequence of three performances, each for one performer and one audience member at a time, comprising: one to one (2018-19) for vocalising violinist and audient for Marco Fusi, tend (2019) for gesturing, vocalising performer and audient for Winnie Huang, and enfold (2019-20) for pianist on an amplified, old upright, and audient for Gwen Rouger. The discussion relates the project’s origins, collaborative workshops, interactive performance experiences, and more.
      
    
        
          591
        
        
                    
        
                    
      
      
        a| Editorial review
      
    
        
          600
        
        
                    
        
      
          0        
      
        a| Sdraulig, Charlie
        9| 39579
      
    
        
          610
        
        
                    
        
      
          0        
      
        a| HIPEX: Historical Performance Practices of Experimental Music
        9| 26935
      
    
        
          650
        
        
                    
        
      
          0        
      
        a| Performance art
        1| http://www.wikidata.org/entity/Q213156
        9| 22164
      
    
        
          773
        
        
                    
        
                    
      
      
        g| 8, 8, 13-30
        t| CeReNeM Journal
        x| na
      
    
        
          856
        
        
                    
        
                    
      
      
        3| Universal Resource Locator
        u| https://cerenempostgraduates.files.wordpress.com/2023/12/cerenemjournal-issue8.pdf
      
    
        
          942
        
        
                    
        
                    
      
      
        c| ART
      
    
        
          920
        
        
                    
        
                    
      
      
        a| artikel
      
    
        
          999
        
        
                    
        
                    
      
      
        d| 21929