MARC Record
Leader
001
21916
008
240201s2023 |||||||| |||| 10| 0 eng d
041
a| eng
044
a| BE
046
k| 2023-06-28
l| 2023-06-30
100
a| Forment, Bruno
d| 1978-
1| https://orcid.org/0000-0002-0157-5485
4| edt
9| 20844
111
a| Vintage Materialities in Music
c| Orpheus Instituut, Ghent
d| 28-30 June 2023
g| Demonstration
245
a| Vintage Materialities in Music
260
a| Ghent
b| Orpheus Instituut; KCB; LUCA School of Arts
c| 2023
336
a| Event
366
b| 2023-06-28
506
a| Closed
509
a| FRIS
520
a| Once a term from winemaking and a synonym of high quality, now a standard epithet of any object that is sought after on account of its rarity, unicity, or antiquity, ‘vintage’ has sparked (sub)cultures, industries, and communities. In music, vintage refers mostly to instruments or apparatuses that, after a period of obsolescence, are being rediscovered, revalued, reproduced, or revamped—electric guitars, effects pedals, analogue synthesisers, drum machines, amplifiers, recording equipment, sound carriers, etc. The scope, appeal, and user groups of vintage gear are becoming wider by the day. Aesthetically speaking, vintage materialities are defining the sound and look of multiple styles of music, just as harpsichords, gut-stringed violins, and valveless trumpets are characterising ‘early music.’ However, vintage materialities in music transcend issues of historically informed performance, and they confront artists and scholars with unanswered questions: On what grounds can obsolete technologies for music production and performance become desirable again in an era of high-tech, across different genres, and in both the professional and amateur spheres? In what ways do vintage materialities and their technical affordances mediate or challenge present-day creative and performative practices? How do vintage materialities respond to cultures, discourses, politics, and economies of, among others, retro style, nostalgia, afro- and retrofuturism, and lo-fi?
591
a| 1
610
0
a| Resounding Libraries: Unfolding Archived Knowledge Through Artistic Research
9| 26404
610
0
a| HIPEX: Historical Performance Practices of Experimental Music
9| 26935
610
0
a| Music, Thought and Technology
9| 26934
650
0
a| Organology
1| http://www.wikidata.org/entity/Q899293
9| 21400
650
0
a| Antiquarianism
1| http://www.wikidata.org/entity/Q56418598
9| 3233
700
a| Vaes, Luk
1| https://orcid.org/0000-0001-5493-6494
4| edt
9| 17277
700
a| Parra Cancino, Juan
1| https://orcid.org/0000-0002-9793-6539
4| edt
9| 16990
710
a| Koninklijk Conservatorium Brussel (Belgium)
1| http://www.wikidata.org/entity/Q111966973
710
a| LUCA School of Arts (Leuven and Ghent, Belgium)
1| http://www.wikidata.org/entity/Q1623380
773
t| Vintage Materialities in Music
856
3| Universal Resource Locator
u| https://orpheusinstituut.be/nl/nieuws-en-events/vintage-materialities-in-music
942
c| NWO
920
a| NWO
999
d| 21916