MARC Record
Leader
001
21788
008
120315r20072003 g 0 eng d
020
a| 9780521036047
041
a| eng
100
4| aut
a| Samson, Jim
9| 16497
245
a| Virtuosity and the Musical Work:
b| The Transcendental Studies of Liszt
260
a| Cambridge
b| Cambridge University Press
c| 2007
300
a| viii-240 pages
520
a| This book is about three sets of etudes by Liszt: the Etude en douze exercices (1826), its reworking as Douzes grandes études (1837), and their reworking as Douzes études d'exécution transcendante (1851). At the same time it is a book about nineteenth-century instrumental music in general, in that the three works invite the exploration of features characteristic of the early Romantic era in music. These include: a composer-performer culture, the concept of virtuosity, the significance of recomposition, music and the poetic, and the consolidation of a musical work-concept. A central concern is to illuminate the relationship between the work-concept and a performance- and genre-orientated musical culture. At the same time the book reflects on how we might make judgements of the 'Transcendentals', of the Symphonic Poem Mazeppa (based on the fourth etude), and of Liszt's music in general.
600
0
a| Liszt, Franz
d| 1811-1886
1| http://www.wikidata.org/entity/Q41309
9| 17400
648
0
a| 19th Century (1801-1900)
1| http://www.wikidata.org/entity/Q6955
9| 20935
650
0
a| Étude
1| http://www.wikidata.org/entity/Q207841
9| 24650
650
0
a| Piano
1| http://www.wikidata.org/entity/Q5994
9| 2127
650
0
a| Composing
1| http://www.wikidata.org/entity/Q92186587
9| 3076
650
0
a| Virtuosity
1| http://www.wikidata.org/entity/Q214970
9| 24670
650
0
a| Performance
1| http://www.wikidata.org/entity/Q6942562
9| 26223
942
c| BOO
920
a| boek
852
b| ORPH
c| ORPH
j| ORPH.BIO LISZ e
999
d| 21788