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MARC Record

Leader
001 21779
008 240130r20171996|||g|||| |||| 00| 0 eng d
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a| 9782907200011
041
  
  
a| eng
100
  
  
a| Johnson, Tom 4| aut 9| 15706
245
  
  
a| Self-Similar Melodies
250
  
  
a| 4th ed.
260
  
  
a| Paris b| Editions 75 c| 2017
300
  
  
a| 291 pages
520
  
  
a| The theory of the logical and mathematical techniques used by the composer: finite and infinite automata. the paper-folding formula, “self-replicating” melodies, etc. A rather detailed discussion, with many new melodies, written to demonstrate the techniques used.“An appreciation of the connection between mathematics and music dates back at least to Pythagoras, but rarely does one have a chance to explore that connection in such intimate detail as in these bracing pages. Composer Tom Johnson weaves back and forth between notes and numbers, delighting in patterns that lead up to self-similarity (the basic of fractal geometry). Some familiarity with both sides of the topic is a prerequisite; committed readers will, however, receive a unique aesthetic education.”—Scientific American, May 1997(taken from https://www.editions75.com/book-self.html)
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a| Composing 1| http://www.wikidata.org/entity/Q92186587 9| 3076
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a| Melody 1| http://www.wikidata.org/entity/Q170412 9| 23237
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a| Mathematics 1| http://www.wikidata.org/entity/Q395 9| 22612
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a| Logic 1| http://www.wikidata.org/entity/Q8078 9| 22062
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c| BOO
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a| boek
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b| ORPH c| ORPH j| ORPH.MTP2 JOHN
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d| 21779
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