MARC Record
Leader
    
        
          001
        
        
          21489
        
      
    
        
          008
        
        
          230406r20182003|||||||| |||| 00| 0 eng d
        
      
    
        
          020
        
        
                    
        
                    
      
      
        a| 9781138066298
      
    
        
          041
        
        
                    
        
                    
      
      
        a| eng
      
    
        
          100
        
        
                    
      
      
          1        
        
        4| aut
        a| Denzin, Norman K.
        1| http://www.wikidata.org/entity/Q1999558
        9| 17701
      
    
        
          245
        
        
                    
        
                    
      
      
        a| Performance Autoethnography:
        b| Critical Pedagogy and the Politics of Culture
      
    
        
          250
        
        
                    
        
                    
      
      
        a| 2nd ed.
      
    
        
          260
        
        
                    
        
                    
      
      
        a| London
        a| New York
        b| Routledge
        c| 2018
      
    
        
          300
        
        
                    
        
                    
      
      
        a| xii-310 pages
      
    
        
          520
        
        
                    
        
                    
      
      
        a| This book is a manifesto. It is about rethinking performance autoethnography, about the formation of a critical performative cultural politics, about what happens when everything is already performative, when the dividing line between performativity and performance disappears. This is a book about the writing called autoethnography. It is also about what this form of writing means for writers who want to perform work that leads to social justice. Denzin’s goal is to take the reader through the history, major terms, forms, criticisms and issues confronting performance autoethnography and critical interpretive. To that end many of the chapters are written as performance texts, as ethnodramas.A single thesis organizes this book: the performance turn has been taken in the human disciplines and it must be taken seriously. Multiple informative performance models are discussed: Goffman’s dramaturgy; Turner’s performance anthropology; performance ethnographies by A. D. Smith, Conquergood, and Madison; Saldana’s ethnodramas; Schechter’s social theatre; Norris’s playacting; Boal’s theatre of the oppressed; and Freire’s pedagogies of the oppressed. They represent different ways of staging and hence performing ethnography, resistance and critical pedagogy. They represent different ways of "imagining, and inventing and hence performing alternative imaginaries, alternative counter-performances to war, violence, and the globalized corporate empire" (Schechner 2015).This book provides a systematic treatment of the origins, goals, concepts, genres, methods, aesthetics, ethics and truth conditions of critical performance autoethnography. Denzin uses the performance text as a vehicle for taking up the hard questions about reading, writing, performing and doing critical work that makes a difference.
      
    
        
          650
        
        
                    
        
      
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        a| Education
        9| 26206
      
    
        
          942
        
        
                    
        
                    
      
      
        c| BOO
      
    
        
          920
        
        
                    
        
                    
      
      
        a| boek
      
    
        
          852
        
        
                    
        
                    
      
      
        b| ORPH
        c| ORPH
        j| ORPH.MTP4 DENZ
      
    
        
          999
        
        
                    
        
                    
      
      
        d| 21489