a| 9780367593155 q| paperback

a| OI

a| eng

a| Recomposing the Past: b| Representations of Early Music on Stage and Screen

a| Abingdon a| New York, NY b| Routledge c| 2018

a| xii-259 pages b| illustrations, music c| 25 cm

a| Ashgate Screen Music Series

a| Includes bibliographical references (pages 248-250) and index.

g| Representing Renaissance Rome : beyond anachronism in Showtime's The Borgias (2011) / James Cook -- Baroque áa la Hitchcock : the music of Dangerous Liaisons (1988) / Mervyn Cooke -- "Frame not my lute" : the musical Tudor Court on the big screen / Daniela Fountain -- It ain't over 'til King Arthur sings : English dramatick opera on the modern stage / Katherina Lindekens -- Musical divisions of the sacred and secular in The Hunchback of Notre Dame / Adam Whittaker -- Celtic music and Hollywood cinema : representation, stereotype, and affect / Simon Nugent -- David Munrow's "Turkish nightclub piece" / Edward Breen -- Little harmonic labyrinths : baroque musical style on the Nintendo Entertainment System / William Gibbons -- Presentness and the past in contemporary British opera / Alexander Kolassa -- Angels in the archive : animating the past in Written on Skin / Maria Ryan -- Werner Herzog and the filmic dark arts : myth, truth, music, and the life of Carlo Gesualdo (1566-1613) / Philip Weller -- Medievalism, music, and agency in The Wicker Man (1973) / Lisa Colton -- Music in fantasy pasts : neomedievalism and Game of Thrones / James Cook, Alexander Kolassa and Adam Whittaker.

a| Early music 1| http://www.wikidata.org/entity/Q436016 9| 3160

a| Film 1| http://www.wikidata.org/entity/Q11424 9| 21409

a| Cook, James 4| edt 9| 25771

a| Kolassa, Alexander 4| edt 9| 25772

a| Whittaker, Adam 4| edt 9| 25773

c| BOO

a| boek

b| ORPH c| ORPH j| ORPH.VIS COOK

d| 21387