a| 9781783274963

a| eng

4| edt a| Frühauf, Tina 1| http://www.wikidata.org/entity/Q70861510 9| 10990

a| Postmodernity's Musical Pasts

a| Woodbridge b| Boydell c| 2020

a| xviii-305 pages b| ill., music examples

a| printed

a| Includes bibliographical references (pages 273-296) and index.

g| Introduction - Tina Fruehauf; Music and Postmodern Time - Lawrence Kramer; 'Aesthetic Indigestion': Alfred Schnittke, Anachronism, and the Contemporary Cadenza's Musical Pasts - Joshua S. Walden; John Adams's Post-stylistic Approach to the Past: A Response to the Uncertain Future of a Globalized World? - Max Noubel; Germany Post Modernism and the Sphericity of Time - Laurenz Lütteken; Visions of the 'End of History', 1968, and the Emergence of 'Postmoderne Musik' in West Germany - Beate Kutschke; (Neo-)Schenkerism and the Past: Recovering a Plurality of Critical Contexts - John Koslovsky; From Bach to Neruda: Historicity and Heterogenous Temporality in the Chilean Cantata (1941-69) - Daniella Fugellie; Time Re-Covered: Double Temporality in Olga Neuwirth's Hommage à Klause Nomi - Georg Burgstaller; The Past is Home: Eduardo Martínez Torner in Postwar London -- An Exile's Nostalgia for Spanish Musicology - Susana Asensio Llamas; Historical Nostalgia, Nature, and the Future in Three Iconic Albums from 1971: Aqualung, Who's Next, and Led Zeppelin IV - Caitlin Carlos; Indie Neofado's Temporality: A Tale of Two Nostalgia's - Michael Arnold

a| 20th Century (1901-2000) 1| http://www.wikidata.org/entity/Q6927 9| 20936

a| Music history 1| http://www.wikidata.org/entity/Q846047 9| 21373

a| Music criticism 1| http://www.wikidata.org/entity/Q11748889 9| 21598

a| Music philosophy and esthetics 1| http://www.wikidata.org/entity/Q2092865 9| 21165

c| BOO

a| boek

b| ORPH c| ORPH j| ORPH.GHM7

d| 20652