Postmodernity's Musical Pasts - Frühauf, Tina (Woodbridge Boydell, 2020)
Introduction - Tina Fruehauf; Music and Postmodern Time - Lawrence Kramer; 'Aesthetic Indigestion': Alfred Schnittke, Anachronism, and the Contemporary Cadenza's Musical Pasts - Joshua S. Walden; John Adams's Post-stylistic Approach to the Past: A Response to the Uncertain Future of a Globalized World? - Max Noubel; Germany Post Modernism and the Sphericity of Time - Laurenz Lütteken; Visions of the 'End of History', 1968, and the Emergence of 'Postmoderne Musik' in West Germany - Beate Kutschke; (Neo-)Schenkerism and the Past: Recovering a Plurality of Critical Contexts - John Koslovsky; From Bach to Neruda: Historicity and Heterogenous Temporality in the Chilean Cantata (1941-69) - Daniella Fugellie; Time Re-Covered: Double Temporality in Olga Neuwirth's Hommage à Klause Nomi - Georg Burgstaller; The Past is Home: Eduardo Martínez Torner in Postwar London -- An Exile's Nostalgia for Spanish Musicology - Susana Asensio Llamas; Historical Nostalgia, Nature, and the Future in Three Iconic Albums from 1971: Aqualung, Who's Next, and Led Zeppelin IV - Caitlin Carlos; Indie Neofado's Temporality: A Tale of Two Nostalgia's - Michael Arnold
Includes bibliographical references (pages 273-296) and index.
Keywords: 20th Century (1901-2000); Music history; Music criticism; Music philosophy and esthetics