MARC Record
Leader
001
17267
005
20250120120046.0
008
140822s2013 0 eng
020
a| 9783631643938
041
a| eng
100
a| Petersen, Peter
4| aut
9| 18894
245
a| Music and Rhythm:
b| Fundamentals - History - Analysis
260
a| Frankfurt am Main
b| PL Acad. Research
c| 2013
300
a| 312 pages
520
a| This book sets forth the first really novel theory of rhythm since Hugo Riemann: the components theory. Its approach will be of interest to musicologists and music theoreticians alike as well as to music performers, since it will enable them to describe and understand the rhythmic shape of music better and more fully than was previously possible. Instead of conceiving rhythm simply as interplay of short and long, of accents and meters, the present analysis takes its departure from secondary rhythms that are not notated but depend on specific qualities of a given sound or sound formation. Together with the basic rhythms, these components rhythms form a total rhythmic texture, whose temporal and weight structure allows a novel way of perceiving musical meter as not being primarily prescriptive but above all as the product of an overall compositional calculation of component rhythms.
650
0
a| Rhythm
1| http://www.wikidata.org/entity/Q170406
9| 2724
650
0
a| Music theory
1| http://www.wikidata.org/entity/Q193544
9| 2662
650
0
a| Music history
1| http://www.wikidata.org/entity/Q846047
9| 21373
650
0
a| Musical analysis
1| http://www.wikidata.org/entity/Q1544924
9| 2775
942
c| BOO
920
a| boek
852
b| ORPH
c| ORPH
j| ORPH.MTP1 PETE
999
d| 17267