MARC Record
Leader
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17206
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20250906121749.0
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130425s2012 g 0 eng d
020
a| 9780253356826
041
a| eng
100
a| Larson, Steve
d| 1955-2011
4| aut
9| 18841
245
a| Musical forces:
b| Motion, Metaphor, and Meaning in Music
260
a| Bloomington
b| Indiana University Press
c| 2012
300
a| 369 pages
490
a| Musical Meaning & Interpretation
520
a| Steve Larson drew on his 20 years of research in music theory, cognitive linguistics, experimental psychology, and artificial intelligenceas well as his skill as a jazz pianistto show how the experience of physical motion can shape ones musical experience. Clarifying the roles of analogy, metaphor, grouping, pattern, hierarchy, and emergence in the explanation of musical meaning, Larson explained how listeners hear tonal music through the analogues of physical gravity, magnetism, and inertia. His theory of melodic expectation goes beyond prior theories in predicting complete melodic patterns. Larson elegantly demonstrated how rhythm and meter arise from, and are given meaning by, these same musical forces.
650
0
a| Music philosophy and esthetics
1| http://www.wikidata.org/entity/Q2092865
9| 21165
650
0
a| Music theory
1| http://www.wikidata.org/entity/Q193544
9| 2662
650
0
a| Science
1| http://www.wikidata.org/entity/Q7991
9| 21650
700
4| edt
4| win
a| Hatten, Robert S.
1| http://www.wikidata.org/entity/Q112493763
9| 23549
942
c| BOO
920
a| boek
852
b| ORPH
c| ORPH
j| ORPH.AES LARS
999
d| 17206