a| 0253213916

a| 0253337925

a| eng

a| Houle, George 4| aut 9| 18680

a| Meter in Music, 1600-1800: b| Performance, Perception, and Notation

a| Bloomington, IN b| Indiana University Press c| 2000

a| 174 pages

a| Includes a bibliography and index

g| Introduction -- 1. The Origins of the Measure in the Seventeenth Century -- 2. Time Signatures in the Eighteenth Century -- 3. Rhythmopoeia: Quantitative Meters in Poetry and Music -- 4. Quantitas Intrinseca: The Perception of Meter -- 5. Articulation of Quantitative Meter -- 6. Accent as Measure Articulation and as Measure Definition -- Appendix: Rhythmopoeia according to Johann Mattheson and Wolfgang Caspar Printz

a| A Choice Outstanding Academic Book of 1988All practising musicians with an interest in the baroque owe it to themselves to be exposed to the ideas contained in this book. ContinuoThis is a book from an excellent musician in the early field who turns out also to be a most persistent scholar . . . Early Music . . . the book offers a vast quantity of data from a wide range of sources. . . . George Houle is to be congratulated for his honest presentation of the entire spectrum. Music Educators JournalThe treatment of meter in performance has evolved dramatically since 1600. Here is a practical guide for the performer, with many quotations from early manuals and treatises, and abundant examples.

a| Mattheson, Johann d| 1681-1764 1| http://www.wikidata.org/entity/Q170333 9| 5222

a| Printz, Wolfgang Caspar d| 1641-1717 1| http://www.wikidata.org/entity/Q104997 9| 7272

a| 17th Century (1601-1700) 1| http://www.wikidata.org/entity/Q7016 9| 20923

a| 18th Century (1701-1800) 1| http://www.wikidata.org/entity/Q7015 9| 20899

a| Meter 1| http://www.wikidata.org/entity/Q630649 9| 24074

a| Music theory 1| http://www.wikidata.org/entity/Q193544 9| 2662

a| Musical analysis 1| http://www.wikidata.org/entity/Q1544924 9| 2775

c| BOO

a| boek

b| ORPH c| ORPH j| ORPH.GHM5

b| ORPH c| ORPH j| ORPH.GHM5

d| 16992