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MARC Record

Leader
001 14036
005 20250820130240.0
008 190910s1994 -usg 0 mul
020
  
  
a| 0803212453
041
  
  
a| lat a| eng
100
  
  
4| cur a| Balensuela, Matthew 9| 16001
245
  
  
a| Ars cantus mensurabilis mensurata per modos iuris = The Art of Mensurable Song Measured by the Modes of Law
260
  
  
a| Lincoln and London b| University of Nebraska Press c| 1994
300
  
  
a| 330 pages
490
  
  
a| Greek and Latin Music Theory v| Volume 10
520
  
  
a| An anonymous fourteenth-century treatise that borrows heavily from the Libellus cantus mensurabilis attributed to Johannes de Muris, the Ars cantus mensurabilis mensurata per modos iuris differs from others ars nova treatises in its systematic application of scholastic philosophy and allusions to medieval law. Using music as the subject of inquiry, the writer addresses questions that occupied scholastic philosophers in other fields, such as the natural minimum of a substance and the potentia Dei absoluta. The writer quotes legal maxims and alludes to medieval legal issues such as the lex regia and the Becket controversy to justify and prove the rules of music.A substantial portion of the treatise was first published as Anonymous V in Edmond de Coussemaker's Scriptores de musica medii aevi, where it was paired with a counterpoint treatise beginning "Cum notum sit". The treatise published by Coussemaker, however, is not the entire work. From textual and manuscript evidence, the Greek and Latin Music Theory edition demonstrates that a set of three figures and an introduction are related to the mensural treatise; the same evidence suggests that the counterpoint treatise "Cum notum sit" should not be considered part of the treatise.The GLMT edition of the anonymous fourteenth-century treatise presents a complete critical text for the treatise together with a facing-page English translation. Annotations to the translation explain the numerous legal and scholastic allusions in the treatise. Also presented are corrected versions of the approximately one hundred musical figures. Preceding the critical text and translation, an extended introduction explains the musical and intellectual sources of the work.
590
  
  
a| A new critical text and translation on facing pages, with an introduction, annotations, and indices verborum and nominum et rerum by C. Matthew Balensuela
648
  
0
a| Middle Ages (500-1400) 1| http://www.wikidata.org/entity/Q12554 9| 20964
650
  
0
a| Vocal music 1| http://www.wikidata.org/entity/Q685884 9| 3319
650
  
0
a| Method 1| http://www.wikidata.org/entity/Q2250960 9| 21402
651
  
0
a| Europe 1| http://www.wikidata.org/entity/Q46 9| 91
942
  
  
c| BOO
920
  
  
a| boek
852
  
  
b| ORPH c| ORPH j| ORPH.INS2c
999
  
  
d| 14036
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