Aspects of Keyboard Music - Essays in honour of Susi Jeans - Jeans, Susi; Judd, Robert (Oxfors Positif Press, 1992)
C. Clutton: The Influence of Susi Jeans (10) -- P. le Huray: Dom Bedos, Engramelle, and Performance Practice (13) -- H. Diack Johnstone: The English Beat (34) -- Chr. Kent: J. S. Bach and the "livre d'orgue" of Nicolas de Grigny (45) -- H. J. McLean: The Organ Works of Heinrich Nicolaus Gerber (60) -- M. Mason: Michigan's "Klingende Wunder": the Fisk Re-creation of a Silbermann at the University of Michigan (81) -- B. Matthews: Thomas Swarbick - The End of a Line (95) -- D. Moroney: A New Completion for Bach's Unfinished Fugue BWV.906/2 (113) -- T. J. Rishton: The Eighteenth-Century British Keyboard Concerto after Handel (121) -- J. Steele: Continuo Accompaniment for Full Voices: Some Explanations, Difficulties, and Embarrassments in the Music of Peter Philips (140) -- R. Vendome: Oxford, Christ Church Mus.Ms.89: Techniques of Verset Composition (155) -- P. Williams: How did the organ come to be a church instrument? Further questions about music and the church of Rome (172)
Keywords: Engramelle, Marie-Dominique-Joseph -- 1727-1805; Dom Bédos de Celles -- 1709-1779; Bach, Johann Sebastian -- 1685-1750; Handel, George Frideric -- 1685-1759; 17th Century (1601-1700); 18th Century (1701-1800); Keyboard instrument; Keyboard music; Music criticism; Europe