The Recorder in the 17th Century. Proceedings of the International Recorder Symposium, Utrecht 1993 - Lasocki, David; STIMU (Netherlands); Various (Utrecht Stimu, 1995)
Peter van Heygen, The Recorder in Italian Music 1600-1670 / Beryl Kenyon de Pascual, The Recorder Revival in Late Seventeenth-Century Spain / Jan Bouterse, Early Dutch Fipple Flutes, with Emphasis on the 17th century and Jacob van Eyck / Martin Kirnbauer, No Smoke without Fire: an approach to Nuremberg Recorder Making in the 17th century / Evan Legene, The Early Baroque Recorder: Whose lovely, magically sweet, soulful sound can move hearts of stone / Laurance Pottier, The Iconography of the Recorder in France during the Second Half of the Seventeenth Century / Toon Moonen, Research into the Measuring of Woodwind Instruments / Ruth van Baak Griffioen, A Field Guido to the Flowers of the Fleuyten Lust-hof: Notes on the Familiarities of the Tunes Van Eyck Chose / Thiemo Wind, Jacob van Eyck's Der Fluyten Lust-hof: Composition, Improvisation, or ... ? Consequences for Performance Practice / Barthold Kuijken, Lack of Seventeenth Century Recorder Repertoire : Consequences for the Practical Musician / David Lasocki, The Recorder's Role in Seventeenth-Century Music, Then and Now: a Reply to Barthold Kuijken / Barthold Kuijken and David Lasocki, An Exchange of Correspondence / Patricia M. Ranum, Tu-ru-tu and tu-ru-tu-tu : Toward an Understanding of Hotteterre's Tonguiung Syllables / David Lasocki, Gaps in our Knowledge of the Recorder in the Seventeenth Cenury and How They Could be Filled / Bibliography of Writings about the Recorder in the Seventeenth Century
Keywords: 17th Century (1601-1700); 18th Century (1701-1800); Recorder; Music history; Organology