Der Musikbegriff im deutschen Barock - Dammann, Rolf 1929-2012 (Cologne Volk, 1967)
Immediately after receiving his doctorate, Dannmann began teaching at the Freiburg University of Music and at the University of Heidelberg and completed his habilitation in Freiburg in 1958 with a work that was to become his most successful book: The Concept of Music in the German Baroque. A third edition of this work was published in 1995, which had a far-reaching impact precisely in the early days of musical performance practice.
Als Habilitationsschrift auf Empfehlung der Philosophischen Fakultät der Universität Freiburg gedruckt mit Unterstützung der Deutschen Forschungsgemeinschaft.
Keywords: 17th Century (1601-1700); 18th Century (1701-1800); Music history; Music theory; Rhetoric; Music philosophy and esthetics; Germany