Anleitung zur Singkunst - Tosi, Pier Francesco c. 1653-1732; Agricola, Johann Friedrich 1720-1774; Mattheson, Johann 1681-1764 (Berlin Winter, 1757)
Cited in Koopman 1985, p. 21, 88-90, 112 and 164-165n44-48
This exemplar contains ms. annotations by someone who was familiar with Telemann's performance practice as with the world of singers in Hamburg: Mattheson (as Marx believes on the basis of the handwriting)? A Hamburg singer in the 1760s or 70s?
Originally published in 1723
Ex libris K. B. Conservatorium für Musik (stamp) and Musikhistorisches Seminar der Kgl. Universität (stamp with notice: "Ausgeschrieben")
Aus dem Italiänischen des Herren Peter Franz Tosi, Mitglieds der Philarmonischen Akademie mit Erläuterungen und Zusätzen von Johann Friedrich Agricola, König. Preuß. Hofcomponisten
Keywords: 18th Century (1701-1800); Method; Singing; Music criticism; Germany; a = ?; a capella; a prima vista zingen; a prima vista zingen; accentuatie in maat; ademhalen; ademhalen; afwisseling; Agricola; alt; Anschlag; appoggiatura; aria; arioso; articulatie; articulatie; Bach, C.P.E.; Bach, C.P.E.; Bach, J.S.; bas; bas; basso continuo; Caccini; cadens; cadens; castraat; castraat; orgel; crescendo / decrescendo; Cuzzoni; Cuzzoni; oude - nieuwe generatie; oude muziek; overpunktering; diminutie; diminutie; Palestrina; dirigent; dissonant; dubbelslag; dubbelslag; dwarsfluit; dynamiek; dynamiek; emoties; emoties; emoties; portamento; falset (kopstem); falset (kopstem); falset (zanger); falset (zanger); Farinelli; Farinelli; punktering