a| ger

a| Murschhauser, Franz Xaver d| 1663-1738 4| aut 1| http://www.wikidata.org/entity/Q323113 9| 7383

a| Academia musico-poetica bipartita. b| Oder: Hohe Schul der musicalischen Composition

a| 1st ed.

a| Nuremberg b| Endters c| 1721

a| [xii]-186-[x] pages b| woodcut vignettes, music examples c| folio

a| Franz Xaver Murschhauser lived and worked mainly in Munich, he studied with Johann Caspar Kerll. Murschauser published organ works and two music theory works, of which this is the second. The first is 'Fundamentalische kurz- und bequeme Handleitung sowohl zur Figural als Choral Music' (Munich, 1707). Both works are considered conservative and distinctly 'old-fashioned' in their treatment of the subject, and were strongly attacked by Johann Mattheson in his 'Critica musica'.

a| This is part one only, part two does not exist.

a| Book block has been home to 'bookworms', probably larvae of beetles.

a| The last five pages are a list of printing errors, mainly in the music type. In this volume they have been corrected and then crossed out in the list.

a| According to the bookseller's note that is inserted in the volume (by Schneider, Tutzing?), this is a rare volume and an interesting example of musical type printing.

a| Contains beautiful woodcut printer's vignets (with a duck or goose on the first and last page)

a| Contains an index

a| A.H.W. ? (ms initials on titlepage) and in the bottom right corner also a hint of a purple stamp

a| In Zwey Theil eingetheilt. Per Definitiones, Divisiones, Regulas universales & particulares , Explicationes, Limitationes, & Objectionum Solutiones &c. Mit emsiger Untersuchung aller zu dieser hohen Wissenschafft dienlichen Materien, und Umständen, auch Vermeidung aller unnothwendigen Weitläuffigkeiten [et]c. Nach des Welt-berühmten Herrn Johann Caspar Kerlls, weiland gewesten Chur-Bayrischen Hof-Capell-Meisters, und anderer approbirten Classicorum Tradition getreulich, auch mit sonderbarem Fleiß beschrieben, und durchaus mit Exemplis wohl erläutert, in Druck hervor gegeben. 1, Erster Theil. Welcher handelt von denen Intervallis dann von denen Con- und Dissonantibus nachgehends von denen Tonis, oder Modis Musicis, sowohl Choralibus, als Figuratis, mit angehängten Transpositionibus

a| 18th Century (1701-1800) 1| http://www.wikidata.org/entity/Q7015 9| 20899

a| Method 1| http://www.wikidata.org/entity/Q2250960 9| 21402

a| Composing 1| http://www.wikidata.org/entity/Q92186587 9| 3076

a| Music theory 1| http://www.wikidata.org/entity/Q193544 9| 2662

a| Music education 1| http://www.wikidata.org/entity/Q27908 9| 21766

a| Nuremberg (Germany) 1| http://www.wikidata.org/entity/Q2090 9| 21596

a| Munich (Germany) 1| http://www.wikidata.org/entity/Q1726 9| 268

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