Gespräch von der Musik zwischen einem Organisten und Adjuvanten - Voigt, Johann Carl; Mizler, Lorenz Christoph 1711-1778 (Erfurt Jungnicol, 1742)
Text is anonymous
Johann Carl Voight was organist at Waldenberg in Saxony. (Gespräch der Musik is) a dialogue on music between an organist and his deputy, in which the abuses prevalent in musical performances at that period are vigorously controverted (cit J. Moore, Complete Encyclopedia of Music, 1834)
Contains an unidentified handwriting of 6 pages, consisting of a manuscript copy of the missing pages 139-140 of the print, 2 pages which are also included as loose folded photos
lovely contropiatto (frontispiece engraving) of a musical ensemble consisting of a traverso, oboe, violin, double-bass, and organ
Introduction by Lorenz Christoph Mizler von Kolof (1711-1778) Composer, Musical Scholar, Bach's Pupil
Ex libris Ritter (manuscript)
Keywords: 18th Century (1701-1800); Music history; Organ music; Keyboard music; Performance; Music criticism; Germany; Ahle, J.R.; alcohol; arpeggio; Bach, J.S.; boekprijs; bc; bc en orgelregistratie; bc zonder becijfering; Bronner; cantate; muziek in eredienst; collegium musicum; Neumeister; componeren van werk; op de wijze van; organist; orgelregistratie en gemeentezang; dirigent; parodie; dwarsfluit; dynamiek; emoties; enharmonisch; Praetorius, M; Printz, W.C.; psalterium; solmisatie; stemmen van orkestje in kerk; Stölzel; Telemann, G.P.; temperatuur; tempo van gemeentezang; toucher; tremulant; trompet; Heinichen; vibrato; hobo; viool; improvisatie; vrijheid in recitatief; Walther, J.G.; Werckmeister; wonderkind; Kircher, A; klavecimbel_Duitsland 18e eeuw; klavichord_Duitsland 18e eeuw; klokkenspelregister op orgel; koor/orkestopstelling; koraal en tussenspel; Krebs; Kühnau, J; kwint/oktaafparallellen