The Boston Handel and Haydn Society Collection of Church Music - Mason, Lowell; Handel, George Frideric 1685-1759; Mozart, Wolfgang Amadeus 1756-1791; Haydn, Michael 1737-1806; Haydn, Joseph 1732-1809; Thorley, Thomas fl.1800; Costellow, Thomas fl. 1775-1800; Tans'ur, William 1706-1783; Pergolesi, Giovanni Battista 1710-1736; Beethoven, Ludwig van 1770-1827; Croft, William 1678-1727; Boyce, William 1711-1779 (Boston Richardson Lord Holbrooke, 1832)
"Includes intriguing metronome markings, which consistently give half the note value of the primary beat. The metronome numbers seem to have been altered (they get higher) in the 3rd and 10th editions respectively" (IMSLP)
Originally published in 1822
being a selection of the most approved Psalm and Hymn Tunes, Anthems, Sentences, Chants, &c. together with many beautiful extracts from the works of Haydn, Mozart, Beethoven, and other eminent composers. Harmonized for three and four voices, with a figured bass for the organ and piano forte ... Twelfth edition, with additions and improvements
Keywords: 19th Century (1801-1900); Church music; Basso continuo; Chorale; Fermata; Boston (MA, USA); ad lib; ad lib; alg. muziekleer; algemene muziekleer; appogg._lengte van; artikulatie; artikulatie; bc_in 19e eeuw; dynamiek; dynamiek; enharmoniek; enharmoniek; fermate; solmisatie; solmisatie; tasto solo; tasto solo; tempo; tempo; toevoegen van tr; toevoegen van trillers etc; toonladders; toonladders; recitatief; recitatief; lengte van appoggiatura; bovensecunde tr; bovensecundetriller; maatstampen; maatstampen etc