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MARC Record

Leader
005 20231009102803.0
008 231006s2018 r 000 0 eng d
020
  
  
a| 9780822370550
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a| HG
080
  
  
a| 130.2 2| KASK
100
1
  
a| Moten, Fred
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4
a| The Universal Machine : b| concent not to be a single being / c| Fred Moten h| Duke University Press
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a| Durham : b| Duke University Press, c| 2018.
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a| 291 p. : ill.
500
  
  
a| The Universal Machine is the concluding volume of the trilogy Consent not to be a single being
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a| In The Universal Machine—the concluding volume to his landmark trilogy consent not to be a single being—Fred Moten presents a suite of three essays on Emmanuel Levinas, Hannah Arendt, and Frantz Fanon, in which he explores questions of freedom, capture, and selfhood. In trademark style, Moten considers these thinkers alongside artists and musicians such as William Kentridge and Curtis Mayfield while interrogating the relation between blackness and phenomenology. Whether using Levinas's idea of escape in unintended ways, examining Arendt's antiblackness through Mayfield's virtuosic falsetto and Anthony Braxton's musical language, or showing how Fanon's form of phenomenology enables black social life, Moten formulates blackness as a way of being in the world that evades regulation. Throughout The Universal Machine—and the trilogy as a whole—Moten's theorizations of blackness will have a lasting and profound impact.(from publisher)
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a| Cultuurfilosofie
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a| boek
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b| KASK c| KUB j| 130.2 / MOTE / 2018 p| 000050626911
001 smk01:000752168
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a| boek
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