MARC Record

Leader
005 20230217113257.0
008 230109s2022 r 000 0 eng d
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a| 9789811948060
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a| HG
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a| 771.06 2| KASK
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a| Huvenne, Martine
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a| The Audiovisual Chord : b| Embodied Listening in Film / c| Martine Huvenne.
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a| Basingstoke : b| Palgrave Macmillan, c| 2022.
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a| XV, 317 p. : ill.
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a| Palgrave Studies in Sound
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a| Introduction.- Part I.- 'The wind blows wherever it pleases. You hear its sound, but you cannot tell where it comes from or where it is going.'.- Audiovisual perception: the audiovisual contract, heautonomy of sound and image and filmic listening.- Phenomenology, an introductionv.- Part II.- A phenomenological approach to audiovisual experience in practice.- Thinking in movement, and different ways to create space in film sound.- The audiovisual chord, an invitation to the audience to interact.- Part III.- Embodied listening, felt sound and the audiovisual chord in film history.- The audiovisual chord in relation to film as an audiovisual composition.- The importance of embodied (panic) listening in film as an audiovisual composition.- A phenomenological approach to film sound and film at the basis of film-making.- Conclusion.
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a| Audiovisuele Kunsten : Filmmuziek, Muziekstudio's, Muziekopnames, Audio technieken, Geluid, Filmcomponisten
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a| Sound in motion pictures.
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a| Auditory perception x| Philosophy.
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a| Phenomenology.
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a| Experience.
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a| boek
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b| KASK c| KUB j| 771.06 / HUVE / 2022 p| 000050655820
001 smk01:000749532
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a| boek