The Audiovisual Chord : Embodied Listening in Film - Huvenne, Martine (Basingstoke : Palgrave Macmillan, 2022)
Introduction.- Part I.- 'The wind blows wherever it pleases. You hear its sound, but you cannot tell where it comes from or where it is going.'.- Audiovisual perception: the audiovisual contract, heautonomy of sound and image and filmic listening.- Phenomenology, an introductionv.- Part II.- A phenomenological approach to audiovisual experience in practice.- Thinking in movement, and different ways to create space in film sound.- The audiovisual chord, an invitation to the audience to interact.- Part III.- Embodied listening, felt sound and the audiovisual chord in film history.- The audiovisual chord in relation to film as an audiovisual composition.- The importance of embodied (panic) listening in film as an audiovisual composition.- A phenomenological approach to film sound and film at the basis of film-making.- Conclusion.
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Keywords: Sound in motion pictures; Auditory perception -- Philosophy; Phenomenology; Experience