CaGeWeB
  • bibliotheken
  • achtergrond
  • partners
  • historiek
naar

MARC Record

Leader
005 20240618140803.0
008 191216s2019 r 000 0 eng d
020
  
  
a| 97802622042703
040
  
  
a| HG
080
  
  
a| 7.039.6 2| KASK
100
1
  
a| Hyancinthe, Genevieve
245
1
0
a| Radical Virtuosity : b| Ana Mendieta and the Black Atlantic.
260
  
  
a| Massachusetts : b| MIT Press, c| 2019.
300
  
  
a| 333 p. : ill.
505
  
  
a| Reclaiming the artist Ana Mendieta as a formally innovative maker of performative art who forged connections to the marginalized around the world. The artist Ana Mendieta (1948–1985) is remembered as the creator of powerful works expressing a vibrant and unflinching second-wave feminist sensibility. In Radical Virtuosity, art historian Genevieve Hyacinthe offers a new view of Mendieta, connecting her innovative artwork to the art, cultural aesthetics and concerns, feminisms, and sociopolitical messages of the black Atlantic. Mendieta left Cuba as a preteen, fleeing the Castro regime, and spent years in U.S. foster care. Her sense of exile, Hyacinthe argues, colors her work. Hyacinthe examines the development of Mendieta's performative artworks—particularly the Silueta series (1973–1985), which documented the silhouette of her body in the earth over time (a series “without end,” Mendieta said)—and argues that these works were shaped by Mendieta's appropriation and reimagining of Afro-Cuban ritual. Mendieta's effort to create works that invited audience participation, Hyacinthe says, signals her interest in forging connections with the marginalized, particularly those of the black Atlantic and Global South. Hyacinthe describes the “counter entropy” of Mendieta's small-scale earthworks (contrasting them with more massive works created by Robert Smithson and other male artists); considers the resonance of Mendieta's work with the contemporary practices of black Atlantic female artists including Wangechi Mutu, Renee Green, and Damali Abrams; and connects Mendieta's artistic and political expressions to black Atlantic feminisms of such popular artists as Princess Nokia. (provided by publisher)
600
1
4
a| Mendieta, Ana
690
  
  
a| Kunstgeschiedenis: Happenings. Performance kunst
920
  
  
a| boek
852
4
  
b| KASK c| KUB j| 7.039.6 / MENDIETA A. / 2019 p| 000050619989
001 smk01:000729610
500
  
  
a| boek
  • CaGeWeB vzw

    p/a Bagattenstraat 174, 9000 Gent

    voorzitter: Hendrik Defoort
    bestuurders: Frea Vancraeynest, Brigitte De Meyer, Ellen Ryckx, Kim Robensyn