z| 9780190460167 (hbk.) : c| £97.00

a| 783 2| KASK

a| The Oxford handbook of sound and imagination n| volume 1 / c| edited by Mark Grimshaw-Aagaard, Mads Walther-Hansen, and Martin Knakkergaard.

a| Sound and imagination

a| New York : b| Oxford University Press, c| 2019.

a| 1 online resource (808 pages).

t| Imagining Sound as the Absolute: The Case of Sarangadeva / r| Saam Trivedi -- t| Shifting Metaphors in the Conceptualization of Musical Knowledge and Learning / r| Petter Dyndahl -- t| Fantasy Control: Implications for Distributed Imagination and Affect Attunement in Music and Sound / r| Ulrik Volgsten -- t| Musical Preferences and the Imagined Self / r| Alexandra Lamont -- t| Burmese Spirit Worship: Music as a Medium for the Transformation of Self / r| Judith Becker -- t| Opera and the South African Political / r| Christopher Ballantine -- t| Noise and Tranquillity at Stonehenge: The Political Acoustics of Cultural Heritage / r| Odd Are Berkaak -- t| The Sonic Abject: Sound and Violence in the Legal Imagination / r| Veit Erlmann -- t| Building Worlds Together with Sound and Music: Imagination as an Active Engagement Between Ourselves / r| Kai Tuuri, Henna-Riikka Peltola -- t| Sonic Branding: From Brand Image to Brand Imagination / r| Clara Gustafsson --

9| ^ t| Radio Imaginaries: Music, Space, and Broadcasting in the 1950s / r| Morten Michelsen -- t| The Sensation of Sound and Imagination in a Historical Perspective / r| Sven Hroar Klempe -- t| Audio Inside the Mind: The Poetics of Sound / r| Seán Street -- t| The Acoustic Imaginations of East Asia / r| Kerim Yasar -- t| Imagining Sonic Stories / r| Vincent Meelberg -- t| Sound Quality, Language, and Cognitive Metaphors / r| Mads Walther-Hansen -- t| Speech, Sound, Technology / r| Johannes Mulder, Theo van Leeuwen -- t| Divergent Images of Early Sound Experience during Infancy and Early Childhood / r| Michael Forrester -- t| The Aural Dimension in Comic Art / r| Marco Pellitteri -- t| Sound, Museums, and the Modulation of the Imagination / r| William Whittington -- t| Cinema as Social Knowledge: The Case of the Beatles in the Studio / r| François Ribac -- t| Concerning the Iconic Signification of Music in Cinema / r| Michael Chanan -- t| Imagining the Sounds Themselves / r| Malcolm Riddoch --

9| ^ t| Embodied Listening: A Moving Dimension of Imagination / r| Martine Huvenne -- t| The Listener's Choice: The Sounds of Music, Meanings, and Measurements / r| Ola Stockfelt -- t| Imagining Acoustic Spaces through Listening and Acoustic Ecology / r| Barry Truax -- t| Presence, Environment, and Sound and the Role of Imagination / r| Mark Grimshaw-Aagaard -- t| Music Places: Imaginative Transports of Listening / r| Judy I. Lochhead -- t| Beacons of Sound / r| Martin Knakkergaard -- t| Cross-modal correspondences and the analysis of contemporary music: An exploratory investigation / r| Zohar Eitan, Hila Tamir-Ostrover -- t| Auditory Mirrors: About the Politics of Hearing / r| Sabine Sanio -- t| What We Hear is Where We Are / r| Linda-Ruth Salter -- t| Bridging the Other-Real: Video Game Sound and the Imagination / r| Tom A. Garner -- t| Auditory Imagination: A Phenomenological Perspective / r| Daniel A. Schmicking -- t| Introduction / r| Mark Grimshaw-Aagaard, Mads Walther-Hansen, Martin Knakkergaard --

9| ^ t| The Necessity of Vagueness and Ambiguity to the Imagining of Sound / r| Mark Grimshaw-Aagaard -- t| Listening and/as Imagination / r| Marcel Cobussen -- t| Imagination, Multimodality, and Sound / r| Joaquim Braga -- t| Some Anticipatory, Kinesthetic, and Dynamic Aspects of Auditory Imagery / r| Timothy L. Hubbard -- t| Into the Sounds of War: Imagination, Media, and Experience / r| Michael Bull.

a| Muziek : Digitale muziek: theorie, cultuur, kritiek

a| Music

a| Psychological aspects

a| Sound

a| Imagination

a| Grimshaw, Mark, d| 1963- e| editor.

a| Hansen, Mads, e| editor.

a| Knakkergaard, Martin, d| 1955- e| editor.

i| Print version : z| 9780190460167

a| boek

b| KASK c| KUB j| 783 / GRIM/1 / 2019 p| 000050637296

a| boek