Jaarboek Koninklijk Museum voor Schone Kunsten Antwerpen 2000. - Huvenne, Paul; Baert Barbara, Duverger Erik, Filipczak Zirka Z., James Susan E., Franco Jamie S., Lusheck Catherine H., Peeters Natasja, Rosenthal Lisa, Vande Casteele Lieve, Van Loo Sofie, Ziegler Joanna E. (Antwerpen : Kon. Museum Schone Kunsten Antwerpen, 2000)
The Gendered Visage. Facets of the Vera Icon##The Antwerp Painter Joanna Vergouwen (1630-1714)##'Why Are there no Old Women in Heaven?'##Susanna Horenbout, Levina Teerlinc, and teh Mask of Royalty##Content in Form: Rubens's Kneeling Man and the Graphic Reformation of the Ideal, Robust Male Nude##Woman and Official Art Education in Antwerp in the Decade before World War II. The influence of the Antwerp Royal Academy of Fine Arts on the Art of Mariëtte Devocht (1909-1999)##Seizing Opportunity: Rubens's Occasio and the Violence of Allegory##Woman Artists in Ghent at the End of the Ancien Régime##The Forgotten Accomplishments of the Painter Duet Maria Margaretha van Os (1779-1862) and Petronella Van Woensel (1785-1839), or how Two Dutch Women Artists in the First Half of the Ninentheen Century Befriended one another and Decided to Dedicate their Lives to Stil-life Painting##Mysticism, Theater, and Art: Recognizing the Visual Art of Ecstatic Performance
Engelse versie / vertaling Irene Schaudies. In bijlage artikel [s.a.] Oost- & West Vlaanderen "Gentse vrouw van zestig jaar haalt universitair diploma" door Daniël Vanacker
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