a| 9780500239025 9| hardback

a| BoekenBank b| dut c| Open Vlacc

a| 75.037 2| KASK

a| Dickerman, Leah 4| aut

a| Inventing abstraction 1910-1925 : b| how a radical idea changed modern art / c| Leah Dickerman; with contributions by Matthew Affron, Yve-Alain Bois, Masha Chlenova, e.a.

a| London : b| Thames & Hudson, c| 2012.

a| 375 p.: ill.

a| Published in conjunction with the exhibition "Inventing Abstraction", 1910-1925 at the Museum of Modern Art, New York, December 23, 2012 - April 15, 2013

a| This book explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII ; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism ; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.0Exhibition: MoMA, New York, USA (23.12.2012-15.4.2013).

a| Schilderkunst: Geschiedenis: 20ste eeuw

a| Abstracte kunst

a| Schilderkunst: Geschiedenis: 20ste eeuw: Constructivisme. Suprematisme. Rayonisme

a| Abstracte schilderkunst

a| Affron, Matthew

a| Bois, Yve-Alain

a| Chlenova, Masha

a| Inventing Abstraction c| New York. Museum of Modern Art d| 2012-12, 23

a| boek

b| KASK c| KUB j| 75.037 / DICK / 2012 p| 000050548136

a| boek