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MARC Record

Leader
005 20181010094557.0
008 101203s2011 enk b 001 0 eng
010
  
  
a| 2010049296
015
  
  
a| GBB0D9706
020
  
  
a| 9781405188029
020
  
  
a| 1405188022
020
  
  
a| 9781405188036 (pbk.) :
020
  
  
a| 1405188030 (pbk.) :
040
  
  
a| StDuBDS b| eng c| StDuBDS d| Uk
080
  
  
a| 7.01 2| KASK
100
1
  
a| Davies, David,
245
1
0
a| Philosophy of the performing arts / c| David Davies.
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a| Oxford : b| Wiley-Blackwell, c| 2011.
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a| x, 232 p. ; c| 23 cm.
490
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a| Foundations of the philosophy of the arts ; v| 4
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a| Includes bibliographical references and index.
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a| Part One Performance and the Classical Paradigm. 1 The Nature of Artistic Performance. 1 Introduction. 2 What is a Performance? 3 Institutional Theories of Artistic Performance. 4 Aesthetic Theories of Artistic Performance. 5 Artistic Performance and Artistic Regard. 6 Overview. 2 The Classical Paradigm I: The Nature of the Performable Work. 1 Introduction: Berthold and Magda Go to the Symphony. 2 The Multiple Nature of Performable Works. 3 Performable Works as Types. 4 Varieties of Type Theories: Sonicism, Instrumentalism, and Contextualism. 5 Other Theories of the Performable Work. 3 The Classical Paradigm II: Appreciating Performable Works in Performance. 1 Introduction: Talking Appreciatively about Performable Works. 2 Can Performable Works Share Artistic Properties with Their Performances? 3 The Goodman Argument. 4 Answering the Goodman Argument. 4 Authenticity in Musical Performance. 1 Introduction. 2 Authenticity in the Arts. 3 Three Notions of Historically Authentic Performance. 5 Challenges to the Classical Paradigm in Music. 1 Introduction: The Classical Paradigm in the Performing Arts. 2 The Scope of the Paradigm in Classical Music. 3 Jazz, Rock, and the Classical Paradigm. 4 Non-Western Music and the Classical Paradigm. 6 The Scope of the Classical Paradigm: Theater, Dance, and Literature. 1 Introduction: Berthold and Magda Go to the Theater. 2 Theatrical Performances and Performable Works. 3 Challenges to the Classical Paradigm in Theater. 4 Dance and the Classical Paradigm. 5 The Novel as Performable Work? Part Two Performance as Art. 7 Performances as Artworks. 1 Introduction: Spontaneous Performance in the Arts. 2 The Artistic Status of Performances Outside the Classical Paradigm. 3 The Artistic Status of Performances Within the Classical Paradigm. 8 Elements of Performance I: Improvisation and Rehearsal. 1 Introduction. 2 The Nature of Improvisation. 3 Improvisation and Performable Works: Three Models. 4 Improvisation and Recording. 5 The Pl
690
  
  
a| Theorie, esthetica en kritiek van theater, beweging, dans, performance
690
  
  
a| Kunsttheorie: performance
830
  
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a| Foundations of the philosophy of the arts ; v| 4.
920
  
  
a| boek
852
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b| KASK c| KUB j| 7.01 / DAVI / 2011 p| 000050512267
001 smk01:000521912
500
  
  
a| boek
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