MARC Record
Leader
005
20170927142410.0
008
050503s1980 xx r 000 0 eng d
020
a| 0810903644
035
a| SMAK:11361
040
a| SMAK
245
0
a| Karel Appel. /
c| edited and with introductory and critical essays by Alfred Frankenstein.
260
a| New York :
b| Harry N. Abrams,
c| 1980.
300
a| 192 p. :
b| geb.
b| zw/w ill., kl. ill. ;
c| 27,5 x 30 cm : groot formaat : op aanvraag.
500
a| biog. p. 181-182, muurschilderingen in openbare gebouwen p. 183-184, werken in musea p. 185
500
a| ind. tent. p. 186-187, bibliog. p. 188-189
520
a| Karel Appel burst onto the European art scene in 1949 in anexhibition titled Cobra at the Stedelijk Museum in Amsterdam. His work had then and has now a daring and vitality that keep it constantly fresh and appealing. Appel was a founder of the Cobra movement - so named because it brought together a group of revolutionary postwar artists from Copenhagen, Brussels, and Amsterdam. He has consistently held to a basic idea of the movement - "Painters write, writers paint" - and appearing here for the first time in English translation is a lively autobiographical sketch made up of his poems and journal entries. An extensive interview with the artist by the well-known European art critic Frédéric de Towarnicki is published in full.
546
a| Engels
600
1
4
a| Appel, Karel
690
a| Cobra
700
1
a| Frankenstein, Alfred
920
a| boek
852
4
b| KASK
c| KUB
j| GF / CKG-IND / APPEL K. / 1980
p| 000050431634
001
smk01:000445797
500
a| boek