MARC Record
Leader
005
20120806153500.0
008
031211s2002 xx r 000 0 mul d
020
a| 3775791132
035
a| SMAK:9695
040
a| SMAK
041
1
a| eng
a| ger
245
0
a| James Coleman.
260
a| Ostfildern-Ruit :
b| Hatje Cantz Verlag,
c| 2002.
300
a| 176 p. :
b| geb.
b| kl. ill. ;
c| 27,5 x 23,5 cm.
500
a| bibliog. p; 174-175
500
a| ind. tent., gr. tent. p. 173-174
520
a| In a detailed essay, the film theorist Kaja Silverman discusses the four works Background (1991-94), Lapsus Exposure (1992-94), Initials (1993/94) and Photograph (1998/99)
520
a| The Irish-born artist James Coleman became known throughout the eighties and nineties with audiovisual works that are extraordinarily precise, both with respect to their pictorial and their literary qualities. Artists such as Douglas Gordon, Stan Douglas or Steve McQueen profess to have been greatly influenced by them. His videos, films and theatre projects and especially his large-scale slide projections are quite exceptional : Coleman presents tightly orchestrated social situations in colourful multiple fade-over stills accompanied by spoken text with a highly differentiated sound track. Although the pictures shown are reminiscent of scenes from daily life, film or literature, their narrative structure remains metaphorical. questions of perception are supplied with psychological, cultural and historic dimensions.
546
a| Duits
546
a| Engels
500
a| James Coleman, Städtische Galerie im Lenbachhaus / Kunstbau München, 20. April - 21. Juli 2002
600
1
4
a| Coleman, James
690
a| Audiovisuele Kunsten: Film
710
1
0
a| Städtische Galerie im Lenbachhaus
710
1
0
a| Kunstbau München
920
a| boek
852
4
b| KASK
c| KUB
j| CKG-IND / COLEMAN J. / 2002
p| 000050542561
001
smk01:000444134
500
a| boek